Navigating its dynamic peaks and valleys all the way up to its drop does a number on your dopamine levels. But Currents’ opening track “Let It Happen” remains otherworldly. “Holy shit, Houston likes a singalong,” said Parker, in a fair assessment, after a massive Monday night karaoke moment ensued during Lonerism’s “Feels Like We Only Go Backwards.” Parker’s guitar solo on InnerSpeaker’s “Runway, Houses, City, Clouds,” with its noise drenched lyricism, was the kind you remember while waiting for your Lyft after the show. It was just one of a plethora of gratifying back catalog moments from the band. And coming out of White Oak’s sound system, it sounded damn near threatening. In removing Astroworld and COVID-19 from the equation, the biggest elephant in the room last night was mid-set standout “Elephant.” Though its presentation remains identical to previous outings, its opening thumping and rumbling working its way toward a manic bass line’s descent into madness giving way to a laser light show garnered one of the night’s biggest reactions. Save for the two-hour set’s end, there was little mention of the pandemic either - perhaps the biggest lens through which audiences are experiencing live music’s return. But when Parker stated the intentions for the crowd, entrusting them to look after one another, you could’ve sworn he was one of us – and the house loved him for it. That weird feeling was apparent upon mention, the way Hurricane Harvey’s remnants once were when touring acts would refer to it onstage: in a space designated for entertainment, the crowd decibels lower as a city is reminded of its recent trauma. Kevin Parker, mastermind of Australian psych-rock band Tame Impala, addressed a sold-out White Oak Music Hall on last weekend's tragedy four songs deep in an exhilarating set. And we’ll still have a really fuckin’ good time.” But I know that you guys will take care of each other and we’ll take care of you and we’ll all take care of each other. Not saying that Kevin never used different tuning for different songs, it's just a fact that the majority of the stuff is in D.“I’m not going to go on for long about it, but I know there’s a weird feeling in Houston right now, and my heart breaks for what happened at Astroworld a few days ago. There's absolutely no point in arguing and discrediting other people when all you have to do is look up Tame Impala live, figure out which chord voicings or notes they're playing, and see how far up the neck their hands are. Having experience in music for 5, 25 or 50 years doesn't mean anything sometimes. Just stop acting like an asshole and downvoting other people's comments because you think you know better. Jeremy's Storm is impossible to play exactly to the recording in any other tuning except drop D because of how low the open strings are. Kev's even playing the basic Love Paranoia E, A, and F (if I recall correctly) chords with a 2nd fret capo or using barre chords on the 2nd/3rd fret because his guitars are obviously not tuned to E Standard, otherwise he'd be playing those chords near the headstock. You sound so sure and so stubborn, yet all you have to do is look at videos of Kevin, Dom and Cam playing live and you'll see that their hand positioning is too far up the neck to be E standard. He tunes his guitar to D Standard but most of the songs can still be played in E Standard or Drop D. Header and Sidebar are assets associated with Neil Krug's art for The Slow Rush R/tameimpalacirclejerk r/Pond r/GUMusic r/indieheads Artwork Credits Twitter - tameimpalasucks Related Subreddits Excessive posting of personal projects will result in a ban.ģ️⃣ Content such as photos of Luxembourg gate, memes, single-thought exclamations, etc should be posted on r/tameimpalacirclejerk.Ĥ️⃣ Follow basic reddiquette and other site rules Social Media
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